Use it to boost the initial attack of various instruments, such as adding more crack to a snare or kick drum. Includes additional effects from the original units: chorus, phaser, delay. Correction determines the method and audible effect of the tuning algorithm. Their other analogue-flavoured creations include the console-emulating , tape saturator , and the mighty passive equaliser. Snap detects your incoming transients or attack and allows you to apply two intelligently-linked filters to your signal. How will you handle a complete system failure in a live situation or high pressure session? Engage it to make output gain controls match the original audio level.
One of them was a treble and bass equalizer with a sweepable mid control. Meter A Vu stereo meter. This plug-in re-creates that exact equalizer circuit used by Joe in his studio, offering simple controls and incredibly warm, musical results. A special saturation on low frequency range. Gain control and meter, from lo-fi to clean.
The first one controls the average signal level with the typical electro-luminescent panel musical behavior. Snap detects your incoming transients or attack and allows you to apply two intelligently-linked filters to your signal. It simply tries to crash your system however it can. Each has its function clearly labelled above, and features a user-editable readout below. You can add brightness to a snare or hi-hat's crack, tame a drum group's spikiness, or soften a piano's sustain without blunting its attack. Simultaneously, you can use Transector to alter the decaying portion of audio. The same when disabling the section latency is reported az zero.
Disto is an emulation of two different devices in one. Standard mode has the character and headroom of the original modelled devices. Great for rooms and halls, adds depth without artifacts. An input gain control balanced for constant output level , together with an input level and a companding meter, gives control on the sound, from clean to dirty, while providing an inside view on the internal processing. Stereo L-R swap switch: swap left and right channels. Teragon ChaosChimp will test your rig—and your composure! The plugin is included with Computer Music 197 and onwards. Compression is one of those studio processes that is all too often taken for granted and not usually used to its full potential.
The stereo version is specifically designed to solve the problems that often plague digital mixes. Start with them fully off i. A mixing and mastering effect. Bus Driver is modelled on the classics from the 'golden age' of tube compressors. Pushed hard, it's unique and aggressive.
Use it as a clean, dense reverb or stress it. Some hosts could require switching the plugin off and on again to activate the right latency compensation. Move the source back or ahead in time. To steel yourself against the inevitability of failure. Includes several algorithms different tape, saturation curve, color, response.
So you can add the vintage warmth of the those models of the classic tubes e. Right channel phase invert: invert the phase just for Right channel. You can add brightness to a snare or hi-hat's crack, tame a drum group's spikiness, or soften a piano's sustain without blunting its attack. Zooming into first 10 dB. . Volume A fine control on output level. It allows you to add the sound of a vintage tube amplifier giving you the differing electronic characteristics of triode, tetrode, and pentode vacuum tubes.
Rev250 is a reverb modeled after the first digital reverb. Snap detects your incoming transients or attack and allows you to apply two intelligently-linked filters to your signal. Sounds very deep, with lots of attitude. Left channel phase invert switch: invert the phase just for Left channel. The discrete one controls peaks, adding snap or full control.
A very smooth limiter follows the compressor. Used conservatively, it sounds beautiful on vocals, drums, guitars, and piano. It adds typical tape recording interesting side-effects to every audio track. Also included in Bus Driver is a Tube-Driver Saturation feature. A whole new model for faithful compression, from light to squashed. Fix pitch issues by automation, draw dynamic pitch movements, generate special effects, doubling, chorus.
Whether you want to bring out the front-end transient in a snare drum or dial back the tail of a wayward tom tom, a transient shaping plugin will get the job done. Try it on mono or stereo tracks. Out of Order mode has a lot stronger effects for stronger processing. Set headroom and saturation independently from dynamic control. Then bring them back anti clockwise until you find the sweet spot you are looking for.