It doesnt get much easier that that! It just took a company that makes both masterfully to put all of the pieces together. If you're looking for a reverb that does what 3 or 4 plugins used to do on your reverb bus, you've come to the right place. The Omega preamp is truly a balance of originality and subtlety — The Omega with Transformer plugins is a dead on replica of two great pieces of hardware. Not only is Goldplate packed with controls, the interface is inviting, with all controls laid out in a symmetrical, logical manner. Compression techniques for mastering and the mix bus, for example, are almost impossible to learn if you do not know what to listen out for transient softening, bass reduction, pumping and so on as you change the threshold or time constants.
There are three distinct sections: the leftmost is labelled Saturation, the central section Compression, and that on the right Density. The sonics of Kush overflows with emotion, texture, and vibe. Please contact us for further information or for a more detailed shipping timeframe and cost. Scott recommends that the Headroom is set so that the green Ample indicator flashes regularly, and the red None one flashes very occasionally. Michael gives us the full tour of the interface, discussing each control in-depth. When a Transformer is used on tracks recorded with the , the effect is quite stunning: a dead-on replication of the original hardware's sonic signature. There's no threshold control, no input gain, and no attack, release or ratio.
I love it, truly, and if it was all I could ever smoke, I'd die a happy and high fella. The design of the compressor is aiming to generate additional harmonics, energy, and frequencies similar to hardware. These techniques are shown in detail and will be used on every mixing project you ever do in the future! I hope that enthusiasm is contagious! Some will click with the interface straight away, but those who are accustomed to working with quantifiable values for attack, release and so on might take longer to get to grips with it. Simply checkout the Financing page located in the Resources section at the bottom of the page. Is there a down side to all this? This allows you to make very fine adjustments to the balance, so you can achieve the character of compression that you want, and then simply back off the amount of 'wet' sound to taste. The degree of coloration can be pretty subtle between each end of the dial, but listening for the proper blend of thickness and color verse softness makes for a good listening marker.
Nonetheless, even when the Bias is leant on heavily, the sound retains a character all its own, since the Cores react to the input signal dynamically, producing unusual squelching artifacts at extreme settings. At the time of writing this review, the podcast is in episode 145. I am a: Beginner, Hobbyist, Semi-Pro, Producer, Beat Maker, Logic Pro 1. The result is a musical track and a bit from the 90s. Thankfully, the physics are kept away from the user, and all you need to do to start working with each plugin is push their Intensity knobs. Rating: Five out of five stars Novatron is a real character compressor and saturator that makes everything sound great. Adding compression and saturation adds a unique character that simply combining plugins cannot accomplish.
I immediately printed the result and sent samples of the original and 'Clariphonicked' tracks to three other mastering engineers to get their reactions, which were uniformly enthusiastic. It's creatively exciting, too, giving you plenty of options and avenues rabbit holes? I started getting into recording in 1984 with a Tascam 244 4-track cassette system. I'd recommend you start by bypassing the Compression and Density sections and focusing your attention on the Saturation — and, in particular, the small Headroom knob. But I also say brilliant because the application and coordination of this program works together, each stage corresponding elegantly — making a complicated set of processes fairly simple. I prefer the Transformer preamp plugins from Kush, has joined the club of must-have plugins you need early in the chain. Scott is not exaggerating in the slightest when he uses words like 'amazing' and 'transformation' to describe the effects of his creation.
This is intentional: Scott wanted the plug-in to feel friendly and intuitive, but also wanted the interface to force the user to experiment and make sonic judgements using ears alone. Novatron's secret weapon is that it adds harmonic energy to the track or mix bus, you can make that effect a settle one or drive to some utmost extent. The 'curve' names hint at which famous compressors they're loosely based on. If you don't like your item for any reason, contact us within 30 days of receipt and we will authorize you a return authorization number no questions asked! I prefer the Transformer preamp plugins from Kush, has joined the club of must-have plugins you need early in the chain. I played keyboards in various rock bands in the mid 80's but found a pronounced leaning towards the technology and computer side of music as samplers and computers became more attainable in the late 80's.
In 1989 I completed my Bachelor of Arts, majoring in Music Technology from La Trobe University in Melbourne, Australia. The rear panel has both balanced and unbalanced input and output connections, and a switch on each channel to choose between them. This preamp has been tuned out of the box to sit easily in a mix on its own but how does a neutral preamp have the ability to sound like a Neve? In fact, I'd go as far as saying that it tops my list of favourite plug-in processors at the moment. When I deployed multiple instances on kick, snare and toms, as well as on the stereo drum bus, and avoided being heavy-handed with any one of them, the result was even more pleasing. Learn these powerful sonic tools inside out, and make your next mastering job fun, creative all with world-class sound.
Despite this, I've yet to hear anything that is genuinely the equal of its analogue hardware equivalent: impressive, perhaps, and certainly usable — but neither wholly accurate, nor as subjectively pleasing for many tasks. If you have a deadline or timeframe questions then please contact us before placing the order so we can make sure that we can meet your expectations. Rather than struggling to make a warts-and-all copy of a piece of outboard gear, Kush Audio have thought about how to translate their hardware design philosophy into a plug-in that takes advantage of the power and flexibility available in software. I married this hardware up to Opcode's Studio Vision for many years as well as getting in at the ground floor with Pro Tools v1 in 1991. Kush did to reverb what the Novatron did to compression.
Omega Model N is all Neve. Novatron is somehow a lush compressor that is still able to become an aggressive tool. Do you use Kush Audio plug-ins? However, you can also juggle the balance of the dry and effected sound in this section, via the knob on the left, providing another way to reduce any heavy-handedness. Each Transformer Model gives very apparent results and neither sounds close to the other. We here at Front End Audio know exactly what it's like to be working with a budget while making gear purchases. Goldplate is subtle when you need it to be and raucous when you want it. When a Transformer is used on tracks recorded with the Omega Preamp, the effect is quite stunning: a dead-on replication of the original hardware's sonic signature.